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matt marble (ensemble work)

Emo

Princeton, NJ

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B i o





M a t t M a r b l e (b.1979 Jackson, MS) is a composer living in Princeton, New Jersey. He has composed works for film, theatre, dance, c.d., stereo diffusion, multimedia performance, and instrumental ensembles. As a performer (found objects, home-made instruments, samples, extended sythesizer), Matt has played with diverse improvisers on the West Coast and has collaborated frequently with audio-visual artist Seth Nehil. His composed works are rooted in a practice of scored improvisation and draw directly and indirectly from extra-musical fields such as botany, crystallography, and anthropology. Scores and drawings have been presented at the Jersey City Museum & the Museum of Contemporary Art in Barcelona (MACBA). Writings and an anthology of scores, Tools of Mind, have been published by FO A RM Magazine (co-editor 2003 - 2008).


Matt studied music composition at CalArts (w/Michael Pisaro) and music theory at Portland State University (blobbyblobblobby) and the University of Paris, VIII, St. Denis-Vincennes (w/Eugenia Duta). He received his B.A. in Speech & Hearing Science from Portland State University and worked as a full time Research Assistant for the National Center for Rehabilitative Auditory Research (NCRAR) at the VA hospital in Portland, OR. He is currently a graduate student in the Composition department at Princeton University.


contact: memarble@gmail.com

C U R R E N T L Y . . . . . .

MARCH 3rd, 2009 Performance of a new large ensemble work with

some of the best contemporary improvisers in new york: Bryan Eubanks, Ann Adachi,

Andrew Lafkas, Katie Young, Jonathan Zorn, Tucker Dulin, Adam Diller, Leif

Sundstrom, et al. @ Taplin Auditoreum, Princeton University. more soon...

JUNE, 2009. Recently accepted, with Emma Lipp, to MoKS artist residency in Mooste, 

Estonia. We will be manifesting a multi-media project structured by a

series of experimental meals - involving local farmers, chefs, artists, eaters -

inspirational seeding by the 1980's cinematography of Harry Egipt. More soon...

"MoKS - Artist Residency"

"Ecllipsis" New C.D. by Seth Nehil & Matt Marble, out now on And/Oar records:

"Ecllipsis" @ And/Oar

June 16th - October 5th (2008) ~ "Possibilities of Action: The Life of the Score"

Curated by Barbara Held and Pilar Subira

Museu d'Art Contemporani de Barcelona (MACBA), Spain

MACBA

"crystals, plants, villages" offers 4 musical scores, original notes & drawings, and a brief look at the fields of crystallography, botany, and environmental design as ways of visualizing musical forms & sonifying visual forms. All materials are contained in a 3-ring binder and protective sheets. This work has been purchased by the Museum for their archive.If you'd like to know more... contact me!

if you have any friends in Spain, this is a wonderful exhibition! Featuring works by Pauline Oliveros, Yasunao Tone, Lee Renaldo, Robert Ashley, et al.


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Sept 18 - Dec 22, 2008 ~ Audio-visual exhibition of "RING WORKS: ICE ROUND" 

@ Jersey City Museum in Jersey City, NJ.

Jersey City Museum


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Performance of new work @ Gallery Homeland (PDX). Scored for:

violin; amplified guitar; bass clarinet, alto saxophone; synthesizers (2); bass drums (2),

floor toms (2), gong; aluminum mortars of gravel with pestle (3), sandpaper

with wire brushe (3), individuated organ reeds (10), harmonicas (5)

   ---- Recording available! 


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Recently accepted into Princeton's Graduate Music Composition Program!

 

So, I'll be heading to New Jersey this Fall.

Princeton Graduate Music Department


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T O O L S  O F  M I N D: anthology of performance scores and found design - NOW AVAILABLE!!! 

FO A RM

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Interviewed on new online radio project for Museum of Contemporary Art in Barcelona (MACBA).

Talking about Tools of Mind, weaverbird. Alex Waterman interview. Audio works by David Behrman, 

Yolanda Harris, Bob Ashley, and Matt Marble/Seth Nehil. Curated by Barbara Held.  

MACBA

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Sound design to a short visceral film by Orland Nutt. Winner:

"Best Experimental Short Film" @2008 Portland Film Festival

T O O L S O F M I N D

              
                                   

                 T O O L S   O F   M I N D

Tools of Mind is a small anthology, edited by Matt Marble and

published by FO A RM magazine specifically for the Usufruct exhbition.

The contents of the anthology, as with that of the exhibit, are based in the

general theme of 'usufruct'. The book differs only in its emphasis of the mind

as a creative tool for recombining ideas to alter our perception and/or action

within the world. Intertwining performance scores from international artists

with mind-models from diverse fields of thought, the book offers itself as a

mosaic of perspectives and a tool of intuition.

Artists Involved:

David Abel (PDX)

Peter Ablinger (Germany)

Jonas Baes (Philippines)

Seth Cluett (Princeton)

Christian Keston (Germany)

Matt Marble (PDX)

Pauline Oliveros (USA)

Mark Owens (PDX)

Adam Overton (L.A.)

Michael Pisaro (L.A.)

Tara Rodgers (Canada)

The Rebar Collective (SanFran)

Phillip Schultz (Wesleyan; Germany)

Dan Senn (PDX)

Scott Smallwood (Princeton)

Craig Shepard (Germany)

Yasunao Tone (Japan/USA)

Giancarlo Toniutti (Italy)

Heather Watkins (PDX)

F O A R M Magazine

                  F O  A  R M  M A G A Z I N E

                        http://foarm.artdocuments.org/

FO A RM Magazine is a multi-media forum for discourse and creativity in art and

culture. We encourage cross-genre methods and investigative projects, with

a special focus on sound-art, experimental poetics and social sculpture.

Each issue clusters around a given topic, gathering together a variety of

perspectives, methods and articulations - from the extravagant to the

pedestrian (and the juncture between).

                            FO(A)RM no. 5 (autonomy)

             156 pp., 7 x 9", perfect-bound, full-color cover, $15

                      (with exclusive CD)

We are very excited to present FO A RM no. 5, a special sound-art issue with an

exclusive full-length CD complimenting the writings. (Autonomy) is an

examination of sound and freedom, a look at how artists and audiences

take responsibility for their place in the world. Topic editor and composer

Michael J. Schumacher asks - "How can we 'save' ourselves from the

undermining forces of commercialization and homogenization by 'using' the

system in place, but returning as little as possible to it?" From a variety of

perspectives along the fringes, we probe this question and raise many

others.

Including a special section on the great Filipino composer Jose Maceda, with

rare writings and scores - an in-depth interview with Serbian radio artist

Arsenije Jovanovic - writings by sound artists Giancarlo Toniutti, Francisco

Lopez, Achim Wollscheid and John Duncan - notes on improvisation by

Michael Bullock - a probe into musical autonomy in the armed forces -

writings on a sound installation by physicist Luis Lopez with composer

Barbara Held - a profile of Diapason sound gallery (NYC) - a poetic essay

by musique concrete composer Lionel Marchetti - the early scores of

Robert Ashley examined by avant-garde cellist Alex Waterman -

experimental poetry by Paolo Javier, Steven Zultanski and Travis Nichols -

art by Jan Anderzen (of Kemialliset Ystävät) and Sreshta Premnath - and

much more!

Plus, in collaboration with Sedimental Records, an amazing 80-minute CD with

music by Jonas Baes, Barbara Held, Arsenije Jovanovic, Jose Maceda and

Michael J. Schumacher!

Editors: Seth Nehil, Matt Marble, Bethany Wright, and Joseph Bradshaw


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